Actor Boom Labrusca drew attention online after expressing disapproval over dancers at the recent Santo Niño festivities. The Sinulog Festival, held annually in Cebu City and other localities, as well as the Santo Niño feast in Tondo, Manila, features parades and cultural performances honoring the Child Jesus.
In a Facebook post on Jan. 19, Labrusca did not name any group but appeared to reference performers doing the “kaldag,” a modern dance rhythm that involves chest and hip movements while holding the sacred image. “If sayaw dahil fiesta sayaw lang. Ikaw naman, may santo tapos huhubad ka, haysss. Wrong venue, kid,” he wrote, suggesting the attire and performance were inappropriate for a religious setting.
The actor, known for roles in shows such as Maalaala Mo Kaya and Magpakailanman, is married to Desiree del Valle and is the father of Tony Labrusca.
Social Media Reacts: Mixed Opinions
Netizens quickly responded to Labrusca’s post, showing a range of reactions. Some agreed with the actor, noting that the focus of the fiesta should remain on faith rather than performance or social media attention.
AJ RN commented, “Nadale mo Boom! Let’s focus on our faith to Santo Niño, not to the flesh who just wanted attention.” Prince Wyne added, “Dati nman walang ganyan…yung atensyon tuloy ng mga tao napupunta sa mga ngsasayaw hindi doon sa Sto. Niño.”
Other netizens criticized what they saw as self-serving behavior from some performers. Jonard David Montoya wrote about “content creators” participating for exposure and part-time money rather than genuine devotion, claiming the true spirit of the festival is being overshadowed.
Controversy Sparks Debate on Tradition vs. Entertainment
Karen Marie’s comment reflected another view, asking if Tondo’s celebrations have become more like a “malawak na gay bar,” highlighting how some feel the religious aspect is being diluted by modern entertainment trends.
The discussion has ignited a larger debate online about the balance between cultural celebration and respect for religious traditions. While some support Labrusca’s stance, others defend performers’ right to creative expression.
